Publications

Theses

Diapoulis, G. (2023). Expression in Live Coding: Gestural Interaction for Machine Musicianship (Doctoral thesis, Chalmers University of Technology, Gothenburg, Sweden). Retrieved from https://research.chalmers.se/publication/537469
Diapoulis, G. (2016). Exploring the perception of expressivity and interaction within musical dyads (Master's thesis, University of Jyväskylä, Jyväskylä, Finland). Retrieved from http://r.jyu.fi/jXo

Book chapters

Thompson, M. R., Diapoulis, G., Himberg, T., and P. Toiviainen (2017). Interpersonal coordination in dyadic performance. In Routledge Companion to Embodied Music Interaction, (eds.) LeSaffre, Leman & Maes, Routledge, 2017. Retrieved from JYU.

Journal articles

Diapoulis, G. (2023). Musical Live Coding in Relation to Interactivity Variations. Organised Sound (28), 2. Retrieved from http://doi.org/10.1017/S1355771823000444

Proceedings articles

Diapoulis, G. (2023). Liveness and machine listening in musical live coding: A conceptual framework for designing agent-based systems``. In the International Conference on AI and Musical Creativity, Brighton, UK, 2023. Retrieved from AIMC2023.
Diapoulis, G. and M. Carlé (2023). Reproducible musical analysis of live coding performances using information retrieval: A case study on the Algorave 10th anniversary. In the International Conference on Live Coding, Utrecht, The Netherlands, 2023. Retrieved from ICLC2023.
Diapoulis, G. (2022). Livecode me: Live coding practice and multimodal experience. In PPIG 2022. Open University, London, UK, September 5-9, 2022. Retrieved from PPIG.
Diapoulis, G., Zannos, I., Tatar, K., & Dahlstedt, P. (2022, June). Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. In NIME 2022. The University of Auckland, New Zealand, Jun 28, 2022. Retrieved from PubPub.
Diapoulis, G. and P. Dahlstedt (2021). An analytical framework for musical live coding systems based on gestural interactions in performance practices. In Proceedings of the International Conference on Live Coding (ICLC2021), Valdivia, Chile, Dec 15-17, 2021. Retrieved from Zenodo.
Agiomyrgianakis, V., Svoronos-Kanavas, I., Zannos, I. and G. Diapoulis (2021). Synerg(e)ia: A Networked Collaborative Live coding environment. In Proceedings of the International Conference on Live Coding (ICLC2021), Valdivia, Chile, Dec 15-17, 2021. Retrieved from Zenodo.
Diapoulis, G. (2021). Primary and secondary aspects of musical gestures in live coding performance. In Proceedings of the 14th International Conference of Students of Systematic Musicology (SysMus21), Aarhus, Denmark, Nov 3-5, 2021. Retrieved from OSF.
Diapoulis, G. and P. Dahlstedt (2021). The creative act of live coding practice in music performance. In PPIG 2021, Doctoral Consortium, University of York, York, UK. Retrieved from PPIG.
Diapoulis, G., Rosas, C., Larsson, K. and Kropp, W. (2018). Person identification from walking sound on wooden floor. In Proceedings of the Euronoise (pp. 1727-1732). Retrieved from Chalmers.
Diapoulis, G. and M. Thompson (2017). Kinematics feature selection of expressive intentions in dyadic violin performance. In 10th International Conference of Students of Systematic Musicology, (SysMus17). QMUL, London, UK, September 13-15, 2017. Retrieved from QMUL.
Thompson, M., Diapoulis, G., Johnson, S., Kwan, P. Y. and T. Himberg (2015). Effect of tempo and vision on interpersonal coordination of timing in dyadic performance. In Proceedings of the 11th International Symposium on CMMR, Plymouth, UK, June 16-19, 2015. Retrieved from JYU.
Diapoulis, G. and I. Zannos (2014). Tangibility and Low-Level Live Coding. In International Conference of Computer Music (ICMC) 2014. Retrieved from ICMA.
Diapoulis, G. and I. Zannos (2012). A minimal interface for live hardware coding. In International Conference for Live Interfaces (ICLI) 2012, ICSRim, University of Leeds, Leeds, UK. Retrieved from Academia.